\n| Wireless City was a performance installation piece, originally created in 1999 amidst the hysteria of the Y2K bug.\u00a0 The structure of Wireless City was inspired by Ray Kurtzweil\u2019s assertion that the amount of time between salient revolutions in technological advancement grows exponentially shorter; the time until the next revolution is half the time of the previous revolution.\u00a0 The Wireless City performance installation explores the future of the world as the time between technological revolutions approaches a sigularity. It also explores a world consumed by Hurry sickness<\/td>\n | [swfobj src=”https:\/\/pages.palomar.edu\/mmufson\/wp-content\/uploads\/sites\/94\/2013\/05\/wc-clock.swf”]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>\n [swfobj src=”https:\/\/pages.palomar.edu\/mmufson\/wp-content\/uploads\/sites\/94\/2013\/05\/wc-clock.swf”]<\/p>\n \n\n\n| [nivoslider id=”703″]<\/td>\n<\/tr>\n | \n| Wireless City was a performance installation piece, originally created in 1999 amidst the hysteria of the Y2K bug.\u00a0 The structure of Wireless City was inspired by Ray Kurtzweil\u2019s assertion that the amount of time between salient revolutions in technological advancement grows exponentially shorter; the time until the next revolution is half the time of the previous revolution.\u00a0 The Wireless City performance installation explores the future of the world as the time between technological revolutions approaches a sigularity. It also explores a world consumed by Hurry sickness<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n <\/p>\n","protected":false},"excerpt":{"rendered":" \n\n\n| <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":80,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[37],"tags":[],"class_list":["post-562","post","type-post","status-publish","format-standard","hentry","category-productions"],"_links":{"self":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/posts\/562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/users\/80"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":36,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/posts\/562\/revisions"}],"predecessor-version":[{"id":738,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/posts\/562\/revisions\/738"}],"wp:attachment":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/media?parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/categories?post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/tags?post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | |