{"id":499,"date":"2013-05-26T19:32:43","date_gmt":"2013-05-27T02:32:43","guid":{"rendered":"http:\/\/pages.palomar.edu\/mmufson\/?page_id=499"},"modified":"2017-10-18T15:47:40","modified_gmt":"2017-10-18T22:47:40","slug":"productions-2","status":"publish","type":"page","link":"https:\/\/pages.palomar.edu\/mmufson\/productions-2\/","title":{"rendered":"Productions"},"content":{"rendered":"

PRODUCTION HISTORY<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a02016-17<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ten Acrobats in an Amazing Leap of Faith<\/span> <\/strong>by Yussef El Guindi<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Facing Our Truth: Six Short Plays on Trayvon,Race,and Privilege<\/span> <\/strong>by<\/span><\/span>\u00a0<\/span>\u00a0Dan O\u2019Brien, Quetzal Flores, Winter Miller, Mona Mansour & Tala Manassah, Dominique Morisseau, Marcus Gardley, A. Rey Pamatmat<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a02015-16<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0Anony(mous)<\/strong> <\/span>by Naomi Iizuka<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Good Person of Setzuan<\/span><\/strong> by Bertolt Brecht,\u00a0translated by Wendy Arons,\u00a0adapted by Tony Kushner<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2014-15<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
THE WATER SPEAKS: A Mixed-Media Theatre Installation.<\/span><\/strong> Conceived by Michael Mufson & Ingrid Trov\u00e3o, \u00a0devised by the ensemble\u00a0<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Natural Selection<\/span><\/strong>, A Climate Crisis Comedy\u00a0By Eric Coble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2013-14<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
ESPERANZA RISING<\/span><\/strong>\u00a0Adapted by Lynne Alvarez\u00a0From the Novel by Pam Mu\u00f1oz Ryan<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rough Magic<\/strong><\/span> by Roberto Aguirre-Sacasa<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2012-13<\/strong><\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alpenstock<\/strong> <\/span>by Remi De Voss<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Paragon Springs<\/span> by Steven Dietz<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2011-12<\/span><\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wet or Isabella the Pirate Queen Enters the Horse Lattitudes<\/span> by Liz Adams Duffy<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Last Summer at Bluefish Cove<\/span> by Jane Chambers<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2010-11<\/span><\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Guys and Dolls\u00a0<\/span>\u00a0music and lyrics by\u00a0Frank Loesser\u00a0and book by\u00a0Jo Swerling\u00a0and\u00a0Abe Burrows<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0Dreamlandia <\/span>by Octavio Solis<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2009-10<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
American Dream 2.0 Festival<\/span>\u00a0a collaboration of the Performing arts department<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
American Dream 2.0<\/span> devised by the ensemble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Angels in America Part Two: Peristroika<\/span> by Tony Kushner<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2008-09<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u00a0<\/em>Augusto Vive<\/span> Forum Theatre Project<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Angels in America Part One: Millenium Approaches<\/span> by Tony Kushner<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Much Ado About Nothing<\/span>\u00a0by William Shakespeare<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2007-08<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wait A Minute Men<\/span> by Carlos Von Son and Michael Mufson<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Orpheus and Euridice<\/span> by\u00a0Christoph Willibald Gluck<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gas<\/span> by Georg Kaiser<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006-07<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Savage in Limbo<\/span> by John Patrick Shanley<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
365 Days\/365 Plays<\/span> by Suzan-Lori Parks<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lysistrata<\/span> adapted from Aristophanies by Michael Mufson and Andrew Friedman<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2005-06<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rosencrantz and Guildenstern Are Dead<\/span> by Tom Stoppard<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Down in the Valley<\/span> by Kurt Veil<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tartuffe<\/span><\/strong> by Moliere translated by Richard Wilbur<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2004-05<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
A Spoonful of Hope: Finding Hope in Divided America<\/span> devised by the ensemble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Mythstory of Beauty and the Beast<\/span> by Michael Mufson<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2003-04<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Monstropoly<\/span> with Eveoke Dance Theatre<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Droppings: Devised for the 3rd Anniversary of Shock and Awe<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Caucasian Chalk Circle<\/span> by Bertolt Brecht<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2002-03<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Five Women Wearing the Same Dress<\/span> by Alan Ball<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
UnDefining Queer v.2 <\/span>devised by the ensemble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alice in Wonderland<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2001-02<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
UnDefining Queer<\/span> workshop production devised by the ensemble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Twelfth Night<\/span> by William Shakespeare<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2000-2001<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Suburbia<\/span> by Eric Bogosian<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wireless City 2001<\/span>\u00a0devised by the ensmble<\/span><\/td>\n<\/td>\nmore<\/span><\/a><\/td>\n<\/tr>\n
1999-2000<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Romeo and Juliet<\/span> by William Shakespeare<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pippin<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wireless City (Ver. 1.999)<\/span> devised by the ensemble<\/span><\/td>\n<\/td>\n\u00a0more<\/a><\/span><\/span><\/td>\n<\/tr>\n
1998-99<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Angel City<\/span> by Sam Shepard<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Brutal Eyes: A Balkan Requiem<\/span> devised by the ensemble<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Outlaw Robin Hood<\/span>\u00a0by Moses Goldberg<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1997-98<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
A Midsummer Night’s Dream<\/span> by William Shakespeare<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
White As Snow, Red As Blood: The Story of Snow White<\/span>\u00a0by V. Glasgow Koste<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1996-97<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Miser<\/span> by Moliere<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Mytstory of Beauty and the Beast as told to me by the Great Mother<\/span> by Michael Mufson<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995-96<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
You Can’t Take it With You<\/span> by Kauffman and Hart<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kiss Me Kate<\/span> book,\u00a0music and lyrics by\u00a0Cole Porter<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Lion, The Witch and the Wardrobe<\/span>\u00a0Dramatized by Joseph Robinette from the story by C.S. Lewis<\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PRODUCTION HISTORY \u00a02016-17 Ten Acrobats in an Amazing Leap of Faith by Yussef El Guindi Facing Our Truth: Six Short Plays on Trayvon,Race,and Privilege by\u00a0\u00a0Dan O\u2019Brien, Quetzal Flores, Winter Miller, Mona Mansour & Tala Manassah, Dominique Morisseau, Marcus Gardley, A. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":80,"featured_media":509,"parent":0,"menu_order":2,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-499","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/pages\/499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/users\/80"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/comments?post=499"}],"version-history":[{"count":54,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/pages\/499\/revisions"}],"predecessor-version":[{"id":649,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/pages\/499\/revisions\/649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/media\/509"}],"wp:attachment":[{"href":"https:\/\/pages.palomar.edu\/mmufson\/wp-json\/wp\/v2\/media?parent=499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}