{"id":93,"date":"2013-09-11T21:42:48","date_gmt":"2013-09-12T04:42:48","guid":{"rendered":"http:\/\/pages.palomar.edu\/lmaunu\/?page_id=93"},"modified":"2021-11-09T12:02:43","modified_gmt":"2021-11-09T20:02:43","slug":"english-211","status":"publish","type":"page","link":"https:\/\/pages.palomar.edu\/lmaunu\/my-classes\/english-211\/","title":{"rendered":"English 211"},"content":{"rendered":"<p style=\"text-align: center\"><strong><span style=\"text-decoration: underline\">English 211\/Survey of British Literature II<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/11\/Eng-211Sp-22.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2112\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/11\/Eng-211Sp-22.png\" alt=\"\" width=\"711\" height=\"915\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/11\/Eng-211Sp-22.png 711w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/11\/Eng-211Sp-22-233x300.png 233w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><\/a><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2018\/01\/Shalott.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1281 aligncenter\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2018\/01\/Shalott.jpg\" alt=\"\" width=\"359\" height=\"276\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2018\/01\/Shalott.jpg 800w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2018\/01\/Shalott-300x231.jpg 300w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2018\/01\/Shalott-768x591.jpg 768w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/a>John William Waterhouse&#8217;s 1888 painting _The Lady of Shallot_<\/p>\n<p>English 211 is a survey or overview of some of the more significant texts produced in Britain from the Romantic period to the present. During our semester together, we will read, analyze, and discuss a variety of texts (both canonical and non-canonical) in order to sketch out a basic understanding of some of the key authors, texts, trends, and historical and cultural contexts that have shaped British literature.<\/p>\n<p>The class will be organized around the various movements within British literary history &#8212; Romanticism, Victorianism, Modernism, and Post-Modernism &#8212; so we can attempt to understand the historical shifts and cultural conditions that surround the works of literature that we will read.<\/p>\n<p>Some of the questions we will be asking include:<\/p>\n<ul>\n<li>What are some of the key characteristics of the British Romantic, Victorian, Modernism, and Post-Modernism periods?<\/li>\n<li>Who were some of the major authors in each of these periods?<\/li>\n<li>What historical, cultural, and social conditions and concerns influenced writers in each period?<\/li>\n<\/ul>\n<p>Writers that we&#8217;ll be studying include Mary Wollstonecraft, William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, John Keats, Percy Shelley, Christina Rosetti (Pre-Raphaelites), World War I poets, James Joyce, Virginia Woolf, and Salmon Rushdie.\u00a0 The longer texts we will be reading include the 1818 edition of Mary Shelley&#8217;s novel <em>Frankenstein<\/em>, Bram Stoker&#8217;s <em>Dracula<\/em>, and Oscar Wilde&#8217;s play <em>The Importance of Being Earnest.<\/em><\/p>\n<p>Our books for Spring 2022 will be the following:<\/p>\n<ul>\n<li>\u00a0<em>Norton Anthology of English Literature (Volumes D, E, and F)<\/em><\/li>\n<li>Mary Shelley&#8217;s novel <em>Frankenstein<\/em> (1818 edition)<\/li>\n<li>Bram Stoker&#8217;s novel <em>Dracula<\/em><\/li>\n<li>Course Lecture Notes (available only at the Palomar College bookstore)<\/li>\n<\/ul>\n<p>You can use either the 9th or 10th edition of the <em>Norton Anthology<\/em>, but be sure to get the three-volume edition since some of the things we&#8217;ll be reading aren&#8217;t included in the shorter, combined editions.<\/p>\n<p>Here are images of what the three volumes of the 10<sup>th<\/sup> edition of the <em>Norton Anthology<\/em> look like:<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.15-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2012 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.15-PM.png\" alt=\"\" width=\"215\" height=\"327\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.15-PM.png 264w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.15-PM-198x300.png 198w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.18.58-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2015 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.18.58-PM.png\" alt=\"\" width=\"236\" height=\"355\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.18.58-PM.png 267w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.18.58-PM-199x300.png 199w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/a><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.07-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2016 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.07-PM.png\" alt=\"\" width=\"257\" height=\"404\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.07-PM.png 257w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/Screen-Shot-2021-01-11-at-1.19.07-PM-191x300.png 191w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Here are what the three volumes of the 9<sup>th<\/sup> edition of the <em>Norton Anthology<\/em> look like:<\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/41vjYGSIdHL._SX317_BO1204203200_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2017 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/41vjYGSIdHL._SX317_BO1204203200_.jpg\" alt=\"\" width=\"240\" height=\"375\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/41vjYGSIdHL._SX317_BO1204203200_.jpg 319w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/41vjYGSIdHL._SX317_BO1204203200_-192x300.jpg 192w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51YYm0Q0kBL._SX321_BO1204203200_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2014 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51YYm0Q0kBL._SX321_BO1204203200_.jpg\" alt=\"\" width=\"254\" height=\"393\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51YYm0Q0kBL._SX321_BO1204203200_.jpg 323w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51YYm0Q0kBL._SX321_BO1204203200_-194x300.jpg 194w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51danIC6ulL._SX322_BO1204203200_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2013 alignleft\" src=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51danIC6ulL._SX322_BO1204203200_.jpg\" alt=\"\" width=\"255\" height=\"393\" srcset=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51danIC6ulL._SX322_BO1204203200_.jpg 324w, https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2021\/01\/51danIC6ulL._SX322_BO1204203200_-195x300.jpg 195w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>For a copy of our course syllabus, please visit our class Canvas website.<\/p>\n<p>Here are some links to resources related to our class:<\/p>\n<p><strong><span style=\"text-decoration: underline\"><span style=\"color: #333300;text-decoration: underline\">First-Generation Romanticism:<\/span><\/span><\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/hyperallergic.com\/106358\/14000-images-of-the-french-revolution-released-online\/\" target=\"_blank\" rel=\"noopener noreferrer\">Images of the French Revolution<\/a><\/li>\n<li>Article about statue in honor of Mary Wollstonecraft:\u00a0 https:\/\/www.theguardian.com\/books\/2020\/nov\/10\/mary-wollstonecraft-finally-honoured-with-statue-after-200-years<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Jonathan Bate, a leading Romanticism scholar, has put out a series of lectures on YouTube about Romanticism; here is a link to the first one, entitled <a href=\"https:\/\/www.youtube.com\/watch?v=t2-EA6doUf4\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Origins of Romanticism&#8221;<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"http:\/\/www.blakearchive.org\/blake\/\" target=\"_blank\" rel=\"noopener noreferrer\">The William Blake Archive<\/a> at the University of North Carolina, Chapel Hill\n<ul>\n<li>Explanation of <a href=\"http:\/\/www.blakearchive.org\/staticpage\/biography?p=illuminatedprinting\" target=\"_blank\" rel=\"noopener noreferrer\">Blake&#8217;s illuminated printing process<\/a> from the Blake Archive<\/li>\n<\/ul>\n<\/li>\n<li>Video from the British Library on <a href=\"https:\/\/www.youtube.com\/watch?v=96LUAaaPqRc\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;William Blake&#8217;s Printing Process&#8221;<\/a> (8:09 minutes)<\/li>\n<li>Video from the British Library on<a href=\"https:\/\/www.youtube.com\/watch?v=fl0yBrI24XM\" target=\"_blank\" rel=\"noopener noreferrer\"> &#8220;William Blake&#8217;s Radicalism&#8221;<\/a> (7:27 minutes)<\/li>\n<\/ul>\n<ul>\n<li>BBC TV series <a href=\"http:\/\/www.bbc.co.uk\/arts\/romantics\/intro.shtml\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline\"><em>The Romantics<\/em><\/span> <\/a>on the Romantic writers<\/li>\n<li><a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2013\/09\/Romantic-Poetic-Forms.pdf\">Romantic-Era Poetic Forms<\/a> handout<\/li>\n<li><a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael9\/section\/volD\/literaryPlaces.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">Photos of the Lake District region<\/a>, where Wordsworth and Coleridge lived, including a photo of Tintern Abbey<\/li>\n<li>Various versions of the\u00a0<a href=\"https:\/\/pages.palomar.edu\/lmaunu\/wp-content\/uploads\/sites\/72\/2013\/09\/Lyrical-Ballads-Compare.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Table of Contents<\/a> for <em>Lyrical Ballads<\/em><em><br \/>\n<\/em><\/li>\n<li>Homepage for <a href=\"https:\/\/wordsworth.org.uk\/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">The Wordsworth Trust <\/a>&#8212; contains images of the Lake District and his house Dove Cottage<\/li>\n<\/ul>\n<ul>\n<li>Gustave Dore&#8217;s <a href=\"http:\/\/digital.lib.buffalo.edu\/items\/browse\/tag\/Rime+of+the+Ancient+Mariner\" target=\"_blank\" rel=\"noopener noreferrer\">1884 engravings for &#8220;Rime of the Ancient Mariner&#8221;<\/a><\/li>\n<li>Iron Maiden&#8217;s version of <a href=\"https:\/\/www.youtube.com\/watch?v=frP3Zu-8QDI\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Rime of the Ancient Mariner&#8221;<\/a><\/li>\n<\/ul>\n<p><strong><span style=\"text-decoration: underline\"><span style=\"color: #333300;text-decoration: underline\">Second-Generation Romanticism:<\/span><\/span><\/strong><\/p>\n<ul>\n<li>Paul Mealor&#8217;s choral version of Byron&#8217;s poem <a href=\"https:\/\/www.youtube.com\/watch?v=cpQKkTWw4aE&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;She Walks in Beauty&#8221;<\/a><\/li>\n<li>Comedy Central UK&#8217;s Drunk History segment on <a href=\"https:\/\/www.youtube.com\/watch?v=_rawk6jsILQ\" target=\"_blank\" rel=\"noopener noreferrer\">Lord Byron<\/a><\/li>\n<li>Comedy Central UK&#8217;s Drunk History segment on <a href=\"https:\/\/www.youtube.com\/watch?v=KNcwpHw_Oa0\" target=\"_blank\" rel=\"noopener noreferrer\">Percy Shelley<\/a><\/li>\n<li>A March 9, 20177, <a href=\"https:\/\/amp.theguardian.com\/world\/2017\/mar\/09\/look-on-my-works-ye-mighty-ozymandias-statue-found-in-mud\" target=\"_blank\" rel=\"noopener noreferrer\">article from <em>The Guardian<\/em><\/a> about a giant statue of Ozymandias that was recently unearthed in Egypt<\/li>\n<li>A short video (5 minutes) about the <a href=\"https:\/\/www.youtube.com\/watch?v=7ZxAGg9qhKg\" target=\"_blank\" rel=\"noopener noreferrer\">Keats-Shelley House in Rome<\/a><\/li>\n<li>An <a href=\"http:\/\/www.bbc.com\/news\/magazine-27065278\" target=\"_blank\" rel=\"noopener noreferrer\">article from the BBC<\/a> about the cemetery in Rome where Keats and P.B. Shelley are buried<\/li>\n<li>The <a href=\"http:\/\/shelleygodwinarchive.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Shelley-Godwin Archive<\/a>, a repository of digitized manuscripts by Mary Wollstonecraft, William Godwin, Mary Wollstonecraft Shelley, and Percy Bysshe Shelley\n<ul>\n<li>The Shelley-Godwin Achive&#8217;s copy of <a href=\"http:\/\/shelleygodwinarchive.org\/contents\/frankenstein\/\" target=\"_blank\" rel=\"noopener noreferrer\">Shelley&#8217;s <em>Frankenstein<\/em> handwritten manuscript<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.rc.umd.edu\/editions\/frankenstein\/study_index\" target=\"_blank\" rel=\"noopener noreferrer\">Study Aids to help with <em>Frankenstein <\/em><\/a>on the <em>Romantic Circles<\/em> website (<em>RC<\/em> is a peer-reviewed, scholarly website devoted to the study of Romanticism)<\/li>\n<li>The <a href=\"https:\/\/slate.com\/culture\/2018\/11\/frankenstein-1910-restored-library-of-congress-edison.html?fbclid=IwAR3yuoPdkDttuzyY3exGW9gqIFJ-jLFvBInygnAzNZH6wA51MrdZZjW4UW4\" target=\"_blank\" rel=\"noopener noreferrer\">first film version of <em>Frankenstein<\/em><\/a> (1910)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=hcApm_xETqI&amp;feature=youtu.behttp:\/\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Thug Notes&#8221;<\/a> version of <em>Frankenstein<\/em><\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=KisuGP2lcPs&amp;list=PL6690D980D8A65D08\" target=\"_blank\" rel=\"noopener noreferrer\">The Lizzie Bennet Diaries<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline\">Victorianism<\/span>:<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.victorianweb.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Victorian Web&#8221;<\/a> &#8212; a scholarly site dedicated to the literature, history, and culture of the Victorian period<\/li>\n<li>Website for Indiana University&#8217;s <a href=\"http:\/\/webapp1.dlib.indiana.edu\/vwwp\/welcome.do;jsessionid=FCF55EC71A288B9CE85116BB676E42F8\" target=\"_blank\" rel=\"noopener noreferrer\">The Victorian Women Writers Project<\/a><\/li>\n<li>BBC History page about <a href=\"http:\/\/www.bbc.co.uk\/history\/british\/victorians\/\" target=\"_blank\" rel=\"noopener noreferrer\">the Victorian era<\/a>\n<ul>\n<li>An article from the same BBC page about <a href=\"http:\/\/www.bbc.co.uk\/history\/british\/victorians\/womens_work_01.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">women&#8217;s work<\/a> during this period<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.mirror.co.uk\/news\/uk-news\/victorian-era-britain-pictures-amazing-2676780\" target=\"_blank\" rel=\"noopener noreferrer\">Photos of life during the Victorian period<\/a> from the UK publication <em>The Mirror<\/em><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\">The Pre-Raphaelites:<\/span><\/p>\n<ul>\n<li>John William Waterhouse&#8217;s paintings of The Lady of Shalott<\/li>\n<li>John William Waterhouse&#8217;s 1888 <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:John_William_Waterhouse_-_The_Lady_of_Shalott_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">painting of The Lady of Shalott<\/a><\/li>\n<li>John William Waterhouse&#8217;s 1894 <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:The_Lady_of_Shallot_Looking_at_Lancelot.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">painting of The Lady of Shalott<\/a> looking down at Lancelot<\/li>\n<li>John William Waterhouse&#8217;s 1915 painting <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:John_William_Waterhouse_-_I_am_half-sick_of_shadows,_said_the_lady_of_shalott.JPG\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;I Am Half Sick of Shadows&#8221; <\/a><\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/www.preraph.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Delaware Art Museum&#8217;s Collection<\/a> of Pre-Raphaelite paintings<\/li>\n<li><a href=\"http:\/\/www.rossettiarchive.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Dante Gabriel Rossetti Archive<\/a>\n<ul>\n<li>Dante Gabriel&#8217;s painting<a href=\"http:\/\/www.rossettiarchive.org\/docs\/s44.rap.html\"> &#8220;Ecce Ancilla Domini! (The Anunciation)&#8221;,<\/a> in which he used Christina as the model for the Virgin Mary<\/li>\n<\/ul>\n<\/li>\n<li>Pre-Raphaelite Paintings of Shakespeare&#8217;s Ophelia\n<ul>\n<li>Sir John Everett Millais&#8217; <a href=\"http:\/\/www.tate.org.uk\/art\/images\/work\/N\/N01\/N01506_10.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">1851-1852 painting<\/a><\/li>\n<li><a href=\"http:\/\/preraphaelitesisterhood.com\/wp-content\/uploads\/2008\/06\/waterhouse-ophelia-1910.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Waterhouse&#8217;s 1894 sitting Ophelia painting <\/a><\/li>\n<li><a href=\"http:\/\/www.victorianweb.org\/painting\/jww\/paintings\/15.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Waterhouse&#8217;s 1910 standing Ophelia painting<\/a><\/li>\n<li>The Pre-Raphaelite Sisterhood&#8217;s page about the <a href=\"http:\/\/preraphaelitesisterhood.com\/ophelia-and-the-pre-raphaelites\/\" target=\"_blank\" rel=\"noopener noreferrer\">fascination with Ophelia<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>A <a href=\"http:\/\/www.bbc.co.uk\/programmes\/b017mvwy\" target=\"_blank\" rel=\"noopener noreferrer\">BBC radio special on Christina Rossetti <\/a>and her life<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"text-decoration: underline\">Information about <em>Wuthering Heights:<\/em><\/span>\n<ul>\n<li><a href=\"http:\/\/www.wuthering-heights.co.uk\/index.php\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;A Reader&#8217;s Guide to <em>Wuthering Heights&#8221; <\/em><\/a>website<\/li>\n<li>Link to the <a href=\"http:\/\/www.bronte.org.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bronte Parsonage<\/a> Museum<\/li>\n<li><a href=\"http:\/\/www.bronte.org.uk\/the-brontes-and-haworth\/wuthering-heights\" target=\"_blank\" rel=\"noopener noreferrer\">Guide to <em>Wuthering Heights<\/em> from the Bronte Parsonage<\/a><\/li>\n<li><a href=\"http:\/\/harvardmagazine.com\/2012\/01\/tiny-brontes\" target=\"_blank\" rel=\"noopener noreferrer\">Article from <em>Harvard Magazine<\/em> about the small books that Charlotte and Branwell created as children<\/a><\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=BW3gKKiTvjs\" target=\"_blank\" rel=\"noopener noreferrer\">Video<\/a> for Kate Bush&#8217;s song &#8220;Wuthering Heights&#8221;\n<ul>\n<li>British comedian <a href=\"https:\/\/www.youtube.com\/watch?v=du4uH1fC9B8&amp;app=desktop\" target=\"_blank\" rel=\"noopener noreferrer\">Noel Fielding&#8217;s parody<\/a> of Kate Bush&#8217;s song<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"http:\/\/www.youtube.com\/watch?v=-NKXNThJ610\" target=\"_blank\" rel=\"noopener noreferrer\">Bront\u00eb Sisters Power Dolls video<\/a><\/li>\n<li>Monty Python&#8217;s skit on the <a href=\"https:\/\/www.youtube.com\/watch?v=kqiUGjghlzU\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Semaphore Version of <em>Wuthering Heights&#8221;<\/em><\/a> &#8212; starts at about 1:03<\/li>\n<li>A <a href=\"http:\/\/www.youtube.com\/watch?v=BvOaahTn3fY\" target=\"_blank\" rel=\"noopener noreferrer\">short video about social class<\/a> in <em>Wuthering Heights<\/em><\/li>\n<li>Article from Longreads called <a href=\"https:\/\/longreads.com\/2016\/09\/01\/how-the-brontes-came-out-as-women\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;How the Brontes Came Out as Women&#8221;<\/a><\/li>\n<li>A funny article called<a href=\"http:\/\/the-toast.net\/2016\/03\/22\/every-meal-in-wuthering-heights-ranked-in-order-of-sadness\/\" target=\"_blank\" rel=\"noopener noreferrer\"> &#8220;Every Meal in <em>Wuthering Heights<\/em> Ranked in Order of Sadness&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/www.yorkshirepost.co.uk\/lifestyle\/homes-gardens\/bronte-shrine-for-sale-with-a-home-and-a-thriving-business-1-9620418?fbclid=IwAR362hBG7vp0_89meWxKMLvXnnGOu50K2EUfdv7HGCLKtE5ioQO4jGMTR-Q\" target=\"_blank\" rel=\"noopener noreferrer\">An article about the house<\/a> (now a bed and breakfast) that inspired <em>Wuthering Heights<\/em><\/li>\n<\/ul>\n<\/li>\n<li>A <a href=\"http:\/\/www.vox.com\/xpress\/2014\/10\/20\/7019053\/oscar-wilde-fling\" target=\"_blank\" rel=\"noopener noreferrer\">short article<\/a> about how Oscar Wilde uses the verb &#8220;to fling&#8221; in much of his work<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline\">Modernism and Post-Modernism<\/span>:<\/strong><\/p>\n<ul>\n<li>Reading of Yeats&#8217; <a href=\"https:\/\/www.youtube.com\/watch?v=QI40j17EFbI\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Second Coming&#8221;<\/a> poem<\/li>\n<li>Yeats reading his own poem <a href=\"https:\/\/www.youtube.com\/watch?v=u2FT4_UUa4I\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Second Coming&#8221;<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\">World War I Poetry<\/span>:<\/p>\n<ul>\n<li>World War I information and images\n<ul>\n<li><a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/welcome.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Short article<\/a> from our\u00a0<em>Norton Anthology<\/em> website that is an overview of of World War I<\/li>\n<li><a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/illustrations.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Images from World War I<\/a> from our <em>Norton Anthology<\/em> site<\/li>\n<li>Jessie Pope poems\n<ul>\n<li><a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/jpope_call.htm\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Call&#8221; (1915)<\/a><\/li>\n<li><a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/jpope_girls.htm\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;War Girls&#8221; (1916)<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=_G4ZY66BG38\" target=\"_blank\" rel=\"noopener noreferrer\">Three-minute video from the History Channel <\/a>about trench warfare<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=OBLZjBaNrFw&amp;app=desktop\" target=\"_blank\" rel=\"noopener noreferrer\">Eleven-minute video from the BBC<\/a> about the trenches<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=diJ13qnULRQ\" target=\"_blank\" rel=\"noopener noreferrer\">Two-minute video<\/a> from the British TV show <em>Downtown Abbey<\/em> that shows what trench warfare was like (at the Battle of the Somme, which was one of WWI&#8217;s bloodiest battles)<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=lrOsIeUt90Q\" target=\"_blank\" rel=\"noopener noreferrer\">Short video (10:05) from The British Library<\/a> about the World War I poets<\/li>\n<li>Wilfred Owen poems and information\n<ul>\n<li>BBC History site with <a href=\"http:\/\/www.bbc.co.uk\/history\/worldwars\/wwone\/wilfred_owen_gallery.shtml\" target=\"_blank\" rel=\"noopener noreferrer\">information about Owen<\/a> (includes letters he wrote to his mother)<\/li>\n<li>Audio recording of <a href=\"http:\/\/www.wwnorton.com\/college\/english\/nael\/noa\/audio_20.htm\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Dulce et Decorum Est&#8221;<\/a><\/li>\n<\/ul>\n<\/li>\n<li>An <a href=\"https:\/\/www.telegraph.co.uk\/history\/world-war-one\/inside-first-world-war\/part-seven\/10667204\/first-world-war-poetry-sassoon.html\" target=\"_blank\" rel=\"noopener noreferrer\">article from <em>The Telegraph<\/em><\/a> called &#8220;How First World War Poetry Painted a Truer Picture&#8221;<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>BBC article and recording of <a href=\"http:\/\/www.bbc.com\/culture\/story\/20160324-the-only-surviving-recording-of-virginia-woolf\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;The Only Surviving Recording of Virginia Woolf<\/a><\/li>\n<li>Website for the <a href=\"https:\/\/www.katherinemansfield.com\/about-katherine-mansfield\" target=\"_blank\" rel=\"noopener noreferrer\">Katherine Mansfield House and Garden<\/a><\/li>\n<li>Article from <em>The Guardian <\/em>called <a href=\"https:\/\/www.theguardian.com\/books\/2015\/dec\/05\/jane-austen-emma-changed-face-fiction\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;How Jane Austen&#8217;s <em>Emma <\/em>Changed the Course of Fiction&#8221;<\/a> &#8212; on Austen&#8217;s pioneering use of free indirect discourse<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=pKxAPF0EiQk\" target=\"_blank\" rel=\"noopener noreferrer\">PBS interview<\/a> with Salman Rushdie on the nature of fiction (28 minutes)<\/li>\n<li>Salman Rushdie <a href=\"https:\/\/www.youtube.com\/watch?v=EZtdhLndVYg\" target=\"_blank\" rel=\"noopener noreferrer\">explains magical realism<\/a> (3:30 minutes)<\/li>\n<li><em>Time<\/em> magazine interview with Salman Rushdie (6 minutes long) &#8212; <a href=\"https:\/\/www.youtube.com\/watch?v=J0xysoqT2gs\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Ten Questions with Salman Rushdie&#8221;<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>English 211\/Survey of British Literature II John William Waterhouse&#8217;s 1888 painting _The Lady of Shallot_ English 211 is a survey or overview of some of the more significant texts produced in Britain from the Romantic period to the present. During &hellip; <a href=\"https:\/\/pages.palomar.edu\/lmaunu\/my-classes\/english-211\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":197,"featured_media":0,"parent":6,"menu_order":7,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-93","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/pages\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/users\/197"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":106,"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/pages\/93\/revisions"}],"predecessor-version":[{"id":2113,"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/pages\/93\/revisions\/2113"}],"up":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/pages.palomar.edu\/lmaunu\/wp-json\/wp\/v2\/media?parent=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}