{"id":131,"date":"2016-09-05T01:04:27","date_gmt":"2016-09-05T08:04:27","guid":{"rendered":"http:\/\/pages.palomar.edu\/lcecere\/?page_id=131"},"modified":"2016-09-05T01:39:35","modified_gmt":"2016-09-05T08:39:35","slug":"book-on-production","status":"publish","type":"page","link":"https:\/\/pages.palomar.edu\/lcecere\/book-on-production\/","title":{"rendered":"Books on Production"},"content":{"rendered":"<p><em><span style=\"color: #000080\"><strong><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/DigitalFilmmakingHandbook.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-136 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/DigitalFilmmakingHandbook.jpg\" alt=\"DigitalFilmmakingHandbook\" width=\"160\" height=\"160\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/DigitalFilmmakingHandbook.jpg 160w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/DigitalFilmmakingHandbook-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a>\u00a0 <\/strong><\/span><\/em><\/p>\n<p><em><span style=\"color: #000080\"><strong>The Digital Filmmaking Handbook<br \/>\n<\/strong><\/span><\/em><\/p>\n<p>by Sonja Schenk and Ben Long<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em><span style=\"color: #000080\"><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmmakersHandbook.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-138 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmmakersHandbook.jpg\" alt=\"Filmmaker'sHandbook\" width=\"160\" height=\"160\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmmakersHandbook.jpg 160w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmmakersHandbook-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a>\u00a0 <\/span><\/em><\/strong><\/p>\n<p><strong><em><span style=\"color: #000080\">The Filmmaker&#8217;s Handbook<\/span><\/em><br \/>\n<\/strong><\/p>\n<p>by Stephen Ascher and Edward Pincus<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080\"><strong><em><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/RebelWOACrew.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-141 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/RebelWOACrew.jpg\" alt=\"RebelWOACrew\" width=\"160\" height=\"160\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/RebelWOACrew.jpg 160w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/RebelWOACrew-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a>\u00a0 Rebel without a Crew<\/em><br \/>\n<\/strong><\/span><\/p>\n<p>by Robert Rodriguez<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080\"><strong><em><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmDirecting_ShotByShot_Bk.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-137 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmDirecting_ShotByShot_Bk.jpg\" alt=\"FilmDirecting_ShotByShot_Bk\" width=\"160\" height=\"160\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmDirecting_ShotByShot_Bk.jpg 160w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/FilmDirecting_ShotByShot_Bk-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a> <\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080\"><strong><em>Film Directing Shot by Shot: Visualizing from Concept to Screen<\/em><br \/>\n<\/strong><\/span><\/p>\n<p>by\u00a0 Steven D. Katz<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left\"><span style=\"color: #000080\"><strong><em><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/CinematicStorytelling_Bk_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-135 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/CinematicStorytelling_Bk_.jpg\" alt=\"CinematicStorytelling_Bk_\" width=\"166\" height=\"166\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/CinematicStorytelling_Bk_.jpg 160w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/CinematicStorytelling_Bk_-150x150.jpg 150w\" sizes=\"auto, (max-width: 166px) 100vw, 166px\" \/><\/a>\u00a0\u00a0 <\/em><\/strong><\/span><\/p>\n<p><span style=\"color: #000080\"><strong><em>Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know<\/em><br \/>\n<\/strong><\/span><\/p>\n<p>by Timothy Corrigan<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080\"><strong><em><a href=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/InBlinkofEye.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-152 alignleft\" src=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/InBlinkofEye-193x300.jpg\" alt=\"InBlinkofEye\" width=\"144\" height=\"224\" srcset=\"https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/InBlinkofEye-193x300.jpg 193w, https:\/\/pages.palomar.edu\/lcecere\/wp-content\/uploads\/sites\/69\/2016\/09\/InBlinkofEye.jpg 305w\" sizes=\"auto, (max-width: 144px) 100vw, 144px\" \/><\/a>\u00a0 <\/em><\/strong><\/span><\/p>\n<p><span style=\"color: #000080\"><strong><em>In The Blink of an Eye<\/em><br \/>\n<\/strong><\/span><\/p>\n<p>by Walter Murch<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 The Digital Filmmaking Handbook by Sonja Schenk and Ben Long &nbsp; \u00a0 The Filmmaker&#8217;s Handbook by Stephen Ascher and Edward Pincus &nbsp; \u00a0 Rebel without a Crew by Robert Rodriguez &nbsp; &nbsp; &nbsp; Film Directing Shot by Shot: Visualizing from Concept to Screen by\u00a0 Steven D. Katz &nbsp; \u00a0\u00a0 Cinematic Storytelling: The 100 Most &hellip; <a href=\"https:\/\/pages.palomar.edu\/lcecere\/book-on-production\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Books on Production<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":107,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/users\/107"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":9,"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":155,"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/pages\/131\/revisions\/155"}],"wp:attachment":[{"href":"https:\/\/pages.palomar.edu\/lcecere\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}